Hazel Steven's graduate textile collection for ECA was driven by examining the visibility and invisibility of the self in regards to LGBTQ+ pride and equality. It considers how the current state of world politics may necessitate people to conceal their true identity for their own protection. Hazel's textiles were a contrast of vibrant, in your face, sloganized, sequinned extravagance, and subtle almost invisible concealment, with clear threads and sequins used on sheer fabric holding secret messages.
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