'Yaghshiye', by @loloyaghshi, @syrayaghshi and @zayre_yaghshi, is a stunningly sculptural, culturally rich, talismanic collection drawing from Northern Pakistan's Chitral’s culture and landscape, Yaghshiye reflects the realities of the Hindu Kush: oversized padding, heavy quilting, and cocooning shapes built around protection and survival. Embroidery documents Khow handiwork, honouring Chitral and its indigenous Khow and Gujoor communities.Via @sitara_studios - fan alumni from our diet paratha mentoring programme.
Thread, Fashion and Costume
Wednesday, 1 April 2026
Sunday, 22 March 2026
Kathy Udaondo Lennon
"This project investigates the intricate connection between belonging and identity, exploring how environments shape our sense of self and thinking about the boundaries between the individual and others. It questions belonging as an ideal, presenting it instead as an embodied process of craftsmanship, repetition, and return. Additionally, it examines how identity is reconstructed after leaving a place of belonging or breaking long-held beliefs.
The themes are explored through The Inseparables by Simone de Beauvoir, which follows Silvie and Andrée, two girls in post-war France navigating societal expectations. Silvie ultimately reconstructs her identity by rejecting these norms, while Andrée remains confined by them, leading to her gradual decline. At its heart, the story reflects the tension between living for oneself and living for others." Kathy Udaondo Lennon
Kathy Udaondo is a costume designer and maker originally from the Basque Country. She completed an MA in Costume Design for Performance in 2025 at the London College of Fashion and won the Linbury Prize, after working primarily in wardrobe departments for film. She is now focusing on live performance, her practice explores the intersection between costume and set, focusing on the dialogue between people and their surroundings. She designs with functionality at the core, ensuring that garments are embedded in the action of the character and that aesthetics emerge naturally from purpose. She works with deadstock fabrics and zero-waste patterns, approaching each project with sensitivity to both materials and context.
Wednesday, 18 March 2026
Matthew Dalziel and Louise Scullion
The 'Walking Dress' from 2014 by Matthew Dalziel and Louise Scullion with tailoring and construction in collaboration with Tracey Stewart.
"This work draws from the Victorian fashion of cumbersome dresses designed to stride in and take the air. The bodice of the dress is accurately tailored from period patterns of the time, but the skirt morphs into a suggestive geology of glacially worn rocks with ridges and gullies. The dress material is a conglomerate of recycled textile. The silhouette of the torso conjures up a period of time when society embraced industrial processes that changed forever the finite balance of the resources we require to sustain our lifestyles. The contours of her skirt recalls familiar Scottish landscapes shaped by slow erosions and dark volcanic undertakings, however the landscape she is moving towards is another era where humans have left a permanent and profound footprint."
Monday, 16 March 2026
Amal Kenawy
Amal Kenawy's (1974-2012) 'non stop conversation' was a piece created in 2007 where Amal wrapped a dismissed deteriorating structure at Bait al Ansari in satin quilting, exploring the tension between modernisation and traditional architecture or vanishing beauty!
Saturday, 14 March 2026
Sawa Matsuda
Friday, 13 March 2026
Charlotte Farrant






































