Sunday, 22 March 2026

Kathy Udaondo Lennon

 


"This project investigates the intricate connection between belonging and identity, exploring how environments shape our sense of self and thinking about the boundaries between the individual and others. It questions belonging as an ideal, presenting it instead as an embodied process of craftsmanship, repetition, and return. Additionally, it examines how identity is reconstructed after leaving a place of belonging or breaking long-held beliefs.

The themes are explored through The Inseparables by Simone de Beauvoir, which follows Silvie and Andrée, two girls in post-war France navigating societal expectations. Silvie ultimately reconstructs her identity by rejecting these norms, while Andrée remains confined by them, leading to her gradual decline. At its heart, the story reflects the tension between living for oneself and living for others." Kathy Udaondo Lennon




Kathy Udaondo is a costume designer and maker originally from the Basque Country. She completed an MA in Costume Design for Performance in 2025 at the London College of Fashion and won the Linbury Prize, after working primarily in wardrobe departments for film. She is now focusing on live performance, her practice explores the intersection between costume and set, focusing on the dialogue between people and their surroundings. She designs with functionality at the core, ensuring that garments are embedded in the action of the character and that aesthetics emerge naturally from purpose. She works with deadstock fabrics and zero-waste patterns, approaching each project with sensitivity to both materials and context. 

Wednesday, 18 March 2026

Matthew Dalziel and Louise Scullion

 



The 'Walking Dress' from 2014 by Matthew Dalziel and Louise Scullion with tailoring and construction in collaboration with Tracey Stewart.

"This work draws from the Victorian fashion of cumbersome dresses designed to stride in and take the air. The bodice of the dress is accurately tailored from period patterns of the time, but the skirt morphs into a suggestive geology of glacially worn rocks with ridges and gullies. The dress material is a conglomerate of recycled textile. The silhouette of the torso conjures up a period of time when society embraced industrial processes that changed forever the finite balance of the resources we require to sustain our lifestyles. The contours of her skirt recalls familiar Scottish landscapes shaped by slow erosions and dark volcanic undertakings, however the landscape she is moving towards is another era where humans have left a permanent and profound footprint."


 

Monday, 16 March 2026

Amal Kenawy

 


Amal Kenawy's  (1974-2012) 'non stop conversation' was a piece created in 2007 where Amal wrapped a dismissed deteriorating structure at Bait al Ansari in satin quilting, exploring the tension between modernisation and traditional architecture or vanishing beauty!














Amene Purkhalil

 



Joyful narrative embroidery by illustrator Amene Purkhalil.





Saturday, 14 March 2026

Sawa Matsuda

 



The macramé lace jewellery of Japanese textile artist Sawa Matsuda reminds me of the structure of coral, beautiful intricate structures and patterns.





Friday, 13 March 2026

Charlotte Farrant

 


So taken was I with the work of Charlotte Farrant this week, that I was desperate to drive six hours to Birmingham this weekend to see it in person at the NECC. However my plans are thwarted by a broken van and impossible workload, but I do hope to catch it on its travels at some point. Charlotte acheived a First class BA(hons) Hand Embroidery from the Royal School of Needlework and won the Hand and Lock Student prize in 2025.

This is her Codification of Stitch coat Charlotte was inspired by the life and work of Anne Lister commonality known as Gentleman Jack. Charlotte’s project translated Anne’s iconic phrase "I am not made like any other I have seen, I dare believe myself to be different from any other who exists” into a coded system of embroidery for her stunning stitched coat, a classification method for stitch, resulting in a code which can be used within embroidery, creating hidden messages represented through the stitches used within a piece of work.












Saturday, 7 March 2026

Ilann Vogt

Above: Antigone de J. Anouilh

Ilann Vogt weaves stories into garments, art pieces and sculpture, the book is transformed into 'text-ile' the words wearable on the skin. 
"I have the ability to create very rich draperies and shapes that become supports for provoking a sensation from the material thus intertwined. This allows the reading of a text in a fraction of a second of glance, to read without reading in a way: to each book its own universe ," Ilann Vogt




Above:  1,2,3 Ulysses de James Joyce  Below: Madame Bovary. De G Flaubert. 



Above: The castle, from F Kafka