Holly Firkins's reimagined Shakespeare's 'Ophelia' in a polluted industrial dystopia, where she voices criticism of the court through the language of flowers.
"My masks are three-dimensional self-portraits- a combination of photography, sculpture and collage. They are photo-realistic but often altered- for example, I might change the placement or even erase select facial features, or cut up and re-attach masks together in unusual combinations. I use photo elements within my work to create an uncanny resemblance within my masks, in addition to capturing images of myself wearing these facades."
The Red Dress project, conceived by British artist Kirstie Macleod (above), provides an artistic platform for individuals, particularly women, and communities around the world, many of whom are vulnerable and/or live in poverty, to tell their stories through embroidery.